41 Years Ago, Disney's Weirdest Failure Changed Sci-Fi Movies Forever

When Jeff Bridges rocked thecover ofRolling Stoneon August 19, 1982, his most well-known movies were probablyThe Last Picture Show(1971) and,Thunderbolt and Lightfoot(1974), both of which got him Oscar nominations. But on that vintage magazine cover, Bridges is decked-out in a funky costume adorned with circuit-board flourishes. This is hisTronoutfit, in which he starred as Kevin Flynn, a programmer who gets sucked into the matrix — sorry — make thatthe Grid, and has to figure out what it’s like to navigate a video game world from the inside out.Tronwas groundbreaking when it debuted on July 9, 1982, but it was kinda a mess. Here’s why despite its rocky reception in 1982, it’s still freaking awesome, 41 years later.Mild spoilers ahead.

The premise ofTron— living inside of a computer — describes many mainstream sci-fi movies and TV of the past two decades.The MatrixandReady Player Oneare obvious examples, whileWreck-It Ralphand several episodes ofBlack Mirroralso owe a great debt toTron.Nowadays, the idea of someone entering into a virtual world feels almost like a burnt-out sci-fi cliche. But, in 1982, for a mainstream movie produced by Disney,Tron’spremise was groundbreaking.

But even more groundbreaking than the idea was the unique approach to visual effects. WhileThe Last Starfighterwould push the boundaries of computer-generated special effects two years later,Tron’smethod of integrating human performers with a mostly empty virtual world was simultaneously stunning and moody as hell. While Bridges, Cindy Morgan, Bruce Boxleitner, and David Warner were shot with old-school backlighting techniques, the fact that their vehicles (LIGHT CYCLES!) and surroundings would bealldigital was pretty much brand new.

Because computers of the ‘80s couldn’t handle the processing speeds they can now, VFX guru Richard Taylor often suggested that various parts of the virtual world be all black, which ended up givingTrona strange minimalist quality, while simultaneously looking like no other movie before, or since.

But, of course, when it was released in July of 1982,Tron’sreputation was bizarrely mixed. It was both themost financially successfullive-action Disney movie sincePete’s Dragon(1977), but it alsowasn’t“迪斯尼电影”只要没有什么感觉like a Disney movie. It alsolostmoney for the studio overall, because it was so damn expensive to make. It also had the misfortune of trying to compete with several other huge sci-fi blockbustersin the summer of 1982, including, but not limited to,Star Trek II: The Wrath of KhanandE.T. The Extra-Terrestrial.The reviews were also mixed. While some loved it, the scathing reviews tended to stand out, like the one from Janet Maslinin which she wrote: “[the special effects] are loud, bright and empty, and they're all this movie has to offer.” To be clear, this is the same critic who in thesame monthpraisedThe Wrath of Khanand began her review of that sci-fi flick with the words “That’s more like it.” The point is, it’s not like mainstream movie critics or audiences weren’t ready for a great, eye-catching sci-fi movie.

The quirk ofTron是高估和低估了at once. The titular character is “Tron,” who is actually a virtual avatar for Bruce Boxleitner’s character, Alan Bradley. Meanwhile, Jeff Bridges’ Flynn is ostensibly the star of the movie, even though he’s not the hero. And, like all the other characters in the movie, there are two versions of him; flesh-and-blood and a digital avatar, “Clu.” But, since Clu is derezzed early in the movie, you could argue there arethreeversions of Bridges here. But, the movie isn’t calledCluorFlynn.It’s calledTron.

This psychological dissonance is kind of a hat trick in the context of 1982, but when you watch it now, it's more poignant. In 1982, there was no internet in a mainstream sense and the idea that a person could have a second identity in a digital realm, wasn’t just science fiction, it bordered on outright fantasy. But in 2022, many of us have our own virtual “Trons,” versions of ourselves who “fight” for our self-image, help make us seem hirable for various jobs, locate childcare, and literally everything else. And in this way,Tronis oddly more upbeat than most of the tech-paranoia sci-fi that came later. In theTronworld, there are good programs and bad programs. Everything we make in the virtual world is just a reflection of the real world, and that’s okay.

All of this makes for an interesting and meditative movie that was ahead of its time not only technologically, but philosophically too. In that 1982 issue ofRolling Stone, journalist Jerry Stahl asked the question “Why would [Bridges] jeopardize his heavy rep as a serious actor to star inTron...?” Jeff Bridges responded by saying, “I took the film seriously because I saw that it was breaking new ground.” And now, 41 years later, nobody can say he was wrong.

Where isTronstreaming?

Tron— and its 2010 sequel,Tron: Legacy—are both streaming on Disney+.You can also get bothTronsonBlu-ray in a bundle right here.